Tag Archives: Claude Monet

Children’s Art Project for Mother’s Day, Inspired by Monet’s Love of Flowers

photo taken in Monet’s garden at Giverny

Monet loved flowers. Moms and Grandmothers do, too , so here’s an easy art project for children to do for Mother’s Day.

Monet’s garden at Giverny is as much a work of art as his paintings, and he often cut flowers to paint when the weather prevented him from working outdoors.

This project is an excerpt from an earlier post of mine about Renoir, another Impressionist who loved flowers!

Art Project for Mother’s Day

Supplies:  20160502_125357sturdy paper, pencils, crayons, scissors, glue, cheap watercolor set, brushes

Directons:

1. With a green crayon draw20160428_102200 curving stems as if coming from a narrow vase in the middle at the bottom of the paper. (See illustration) (If your child is very young, you can draw the stems so that the bouquet isn’t too small)

 

2. With crayons of a variety of colors, draw the outlines of ‘flower’ 20160428_103005shapes (daisies, circles, spirals, etc.) among, and at the end of, the stems. Leave coloring them in to the next step—painting.

3. Now, just like the Impressionists, paint blobs of paint right over the crayon ‘flowers’. 20160428_104913 20160428_104910Blobs work because the wax of the crayons repels the water color and shows through. (Encourage children to use small amounts of water to mix paint. Otherwise the colors get pretty watery)

4. While the flowers dry, trace on another piece of paper around each child’s hands (have them spread their fingers apart a little). Include a few inches of their arms. 20160428_103747 (use colored paper or children may color these and add rings, watches, etc.)

5. Cut out the hands.

6. Glue the hands, fingers interlaced with thumbs up, at the bottom of the painting as if they are holding the bouquet! (the fingers interlace more easily if the hands come together at an angle)

Voila!    Write Happy Mother’s Day across the top and give to Mom or Grandma!

Other Things to Do

  • Visit Monet’s gardens online at   http://giverny.org/gardens/fcm/visitgb.htm
  • Visit art museums or go online to see Impressionist collections and see how many have flowers in them. Many American museums have at least a few, because Americans were among the first to buy their work. here’s a link to the Impressionist collection at the Art Institute of Chicago.   https://www.artic.edu/collection?style_ids=Impressionism
  • Look at works by Mary Cassatt online. An American Impressionist artist living in Paris, she not only introduced many of her friends to Impressionist art and encouraged them to buy these works, but she painted many lovely works of mothers and children together.

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Don’t miss the next kathythepicturelady post with funny Molly photos.

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On the Trail of Monet’s Cathedrals and Haystacks: Devotional

interior, Gothic cathedral, author photo

Stone—heavy, durable, hard to carve into blocks or statues. Part of a Gothic cathedral, though, it can soar to great heights, as well as form thin, decorative tracery around rose windows.

Chartres, one of three rose windows, author photo

 

 

 

 

 

 

 

 

Notre Dame de Paris, flying buttresses, author photo before the fire

Built all over Europe in the Middles Ages, these vast churches have defied wars, storms, and fires, as we’ve so recently seen with Notre Dame in Paris! Inside, its stone columns still run up and fan out to someday support a new vaulted ceiling. Outside, Notre Dame’s flying buttresses still arch back against the cathedral and will again, we hope, counter the outward thrust of a new roof.

Sainte-Chapelle, Paris, author photo

 

Thinner stone walls could hold huge windows of stained glass, opening up these cathedrals to a beautiful light that some have called heavenly.

The stained glass and statues helped generations of mostly illiterate people learn the story of redemption.

 

When Monet painted the Rouen cathedral series,

Rouen Cathedral, Facade and the Tour d’Albane, Gray Weather, Claude Monet, Rouen Museum

the cathedral had stood solidly in that same spot for over 700 years! So he was able to return after a year to finish the series.

 

 

 

 

 

 

Hay—light, perishable, blown to and fro by the wind. It grows for a season and is then easily cut and formed into a plump haystack to dry. Although necessary for feeding livestock, hay stacks don’t soar toward God or let in heavenly light to tell God’s story.

detail of haystack painting by Monet, author photo

They aren’t permanent either. Monet began his haystack series in the fall, but continued so long into the winter that the farmer needed the hay to feed his cattle! Monet had to pay the farmer to wait while he finished his paintings. 

Imagine that farmer walking away fingering the francs in his hand, but shaking his head over the strange ways of artists!

So if asked which has more spiritual worth, a cathedral or a haystack, most would choose the cathedral.

Yet in the summer of 1806 the prayers of five Williams College students did soar up out of a haystack to God and helped begin the American mission’s movement that sent 1000s of men and women to spread the gospel throughout the world. There had been recent Christian revivals in America under George Whitefield, Jonathan Edwards, and others, but up to this time, no one had considered taking the gospel to other parts of the world.

But Samuel Mills, a student at Williams College, had begun to pray about it. And on a Saturday afternoon in August he and four other students gathered in a field off campus to discuss and pray about missions to foreign lands. Williams College is in the postcard-pretty Berkshire Mountains of western Massachusetts. Vibrant autumn foliage soon gives way to winter snows, so by August haystacks begin to dot those fields around the town and college.

That August Saturday in 1806 a thunderstorm rolled down out of the mountains and lightning crackled over the fields, sending the five students under a haystack for shelter. They continued praying, and the Haystack Prayer Meeting, as it came to be called, continued weekly after that.

Within just a few years, Mills, along with other students, had helped encourage the founding of the American Board of Commissioners for Foreign Missions which sent the first American missionaries to India in 1812. One of those, Adoniram Judson, was a friend of Mills from when they both attended Andover Theological Seminary. Mills also help found the American Bible Society and The United Foreign Missionary Society.

Monet made beautiful paintings of the fleeting, superficial changes that light brings to haystacks and cathedrals, but the objects aren’t really changed, and even stone cathedrals don’t last forever.

But when God’s light comes, it can even transform a haystack into a cathedral in which His heavenly light illumines and leads regular people, like college students and us, to take the gospel light to our neighbors, and around the world.

Then these people of God become temples of the Holy Spirit, and they will live forever!

Are there people in your neighborhood or others you keep in touch with who need to receive the light of the gospel?

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Molly is taking a much deserved break from photo shoots, but if you sign up for  Kathythepicturelady posts, you’ll soon see some of the funnier photos from her Molly-in-France series!

The next post will be an Impressionist-inspired kid’s art project for Mother’s Day. Don’t miss it!

 

 

On the Trail of Monet’s Cathedrals and Haystacks: Rouen

In the afternoon we tore ourselves away from Monet’s sunny garden to make our train connection to Rouen to see the cathedral that Monet painted so many times.

As we waited on the platform of the little train station, the weather changed. Wind brought clouds and the first rain of our trip. It continued to rain while we were in Rouen, a city on the Seine River not far from the Atlantic. I didn’t mind, though, as one of Monet’s cathedral views is in the rain, and he actually liked to try to capture the effects of rain and fog.

On this rainy Sunday few people were about, and no sun lit up the exterior of Rouen Cathedral or pierced through the stained glass that remains. It’s slim Gothic pillars still soar up to its high vault, and outside it wears its age with dignity and lacy beauty. And some parts of it are really old!

There has been a Christian church on the site of Rouen Cathedral since Roman times. Since then it has been partially destroyed by wars, fires, and storms many times, and just as often been rebuilt. The Vikings destroyed the early church and then rebuilt it when they settled the area.

 

The first (Viking/Norseman) Norman duke, Rollo, is buried under his effigy in the ambulatory.

Effigy of Rollo

For many, many years Rouen continued to be Norman/English land, and Richard the Lionheart’s heart is buried under his effigy next to his ancestor, Rollo.

Effigy of King Richard

 

 

 

 

The cathedral was rebuilt in the new Gothic style in the 12th century, but  fires and storms caused more rebuilding in the 13th century. Then in the 1400s, the façade was made over in the highly-decorative Flamboyant Gothic style, so that today the cathedral still looks like it’s wearing a garment of stony lace.

In WWII Rouen was a major supply depot for the Nazis, so the city and the cathedral were heavily bombed. The cathedral suffered several direct hits that caused much destruction. It was repaired, but in 1999 a storm toppled a huge pinnacle weighing many tons, which crashed through the roof and into the choir. When you look up you can still see the repaired place where it came through.

Today Rouen Cathedral is a mixture from all those times—some, like the North Tower, date back to the 1100s, while some stained glass and other sections are from the 1200s and 1400s. The middle spire or tower, made of iron, was installed in the 1800s, and, of course, repairs from WWII and the 1999 storm are even more recent.

Monet knew this cathedral well. He grew up in Normandy, a brother lived in the city, and it was just a short train ride from Giverny. As he thought about his next series, Rouen with its lacy exterior must have come readily to mind. He rented a room across the square from the cathedral and painted over 30 views of its façade over the next 2 years. Today a sign marks the spot from which he painted.

But as with every other subject Monet paints the light more than the cathedral. He studied how the cathedral changed with the sun’s angle and the weather. Some views show the sun rising behind the north tower. Others show the deep shadows produced by full sunlight. It’s an oblique view, although a few of the paintings are more face on.

The details of that lacy exterior would defeat most artists but Monet’s short, sketchy brush strokes give the cathedral a lacy texture just as his thick paint gave the haystacks a strawlike texture.

Rouen Cathedral, Facade and the Tour d’Albane, Gray Weather, Claude Monet, Rouen Museum

One of my favorites is the rainy day cathedral with its many tones of browns and creams. You can see the reflections on the wet cobblestones, just as we did.

When 20 of the paintings in this series went on sale, Georges Clemenceau, who later became France’s prime minister, was enthralled by them and bought one. He was a fan of Monet and wrote many admiring reviews of Monet’s work in his newspaper.

Activity

Find a permanent object or building outside that you can view for a week or so at all times of day and in different weather. Observe how light changes colors and shadows. Write down your obsevations or make sketches.

Molly is inspired and ready to paint!!

Are you signed up to receive the next Kathythe picturelady post? It will be an Easter post with more photos of the Isenheim altarpiece that I first showed at Christmas.

Later in April will be some devotional thoughts based on this whole Cathedrals and Haystacks series.

All photos in this post by the author

On the Trail of Monet’s Cathedrals and Haystacks: Giverny and the Haystack Series

Monet’s gardens at Giverny look like his paintings, with splashes of red and purple, dabs of blue, and whole patches of sunflower yellow everywhere you look. Some flowers tower over you, while others stretch out right into your face.

 

 

 

 

 

 

 

A wide path with plant-covered arches leads to the front door of the pink farmhouse with its green shutters.

A sunny yellow dining room and blue delft tiles in the kitchen invite you to come in and explore.

 

 

 

 

To get to the lily pond, we crossed under the road and followed a wooded stream that helped form the pond. The stream didn’t have enough water for Monet’s plans, so he built ditches to divert more water from a nearby river. His neighbors worried that there’d be no water for their cows or that Monet’s imported water lilies might even poison them, so Monet had to get approval from the town council to complete his lily pond.

Weeping willows overhand the pond, and water lilies crowd each other for room to grow. Between rafts of water lilies, reflections of the willows and other trees and flowers catch the sunlight. The Japanese bridge is really there in among the willow branches!

We found spots that looked a lot like paintings we’d seen in Paris. Here’s one of those next to a water lily painting by Monet from the Marmottan! 

 

 

Walking along the stream to the pond, we passed a field where cows grazed, a field similar to where Monet painted his haystack series in the fall and winter of 1890. Some of the haystacks painted in the winter were Monet’s favorite. In the spring Monet exhibited 15 of the haystack paintings with great success.

He painted in the same field, so the composition in each of the haystack paintings is similar—one or two conical haystacks seen against the strong horizontals of trees and houses in the middle distance, with another horizontal line of hills in the far distance to form the horizon line with the sky above.

The far hills, the roof tops, and the haystack shadows often contain the same colors and so tie all the parts together. In some of the paintings, the top of the haystack is silhouetted against the sky, and in some (as in this view) the slanted roofs of the houses in the middle distance clearly echo the slant of the haystacks.

Grainstacks-Late Summer, Giverny by Claude Monet

In this painting I photographed at the Musee d’Orsay the summer sun warms the stacks and highlights their texture made with thick unblended brush strokes. As in his garden, Monet doesn’t want to tame his brushstrokes to make a formal picture of a haystack. His purpose is to show how light changes what the haystacks look like in all kinds of weather and light.

Grainstack detail

Activities

  1. Go online to study the shadows of some of these haystack paintings. Notice how their shapes and colors change with the weather and time of day. In one winter scene the orange sky contrasts vibrantly with the complementary blue of the cold shadowy snow on top of the stacks, on the roofs of the houses, and on the line of far hills. In some paintings the stacks are silhouetted against a golden sunset with just a few touches of bright outlining from the low setting sun.
  2. Cut out a small rectangular “window” from white paper and use it to concentrate on different areas of an Impressionist painting. Look at all the colors in a “green” field or a Renoir face. Feeling brave? Try painting what you see through the little window!
  3. Two great picture books about Monet’s garden: Linnea in Monet’s Garden by Christina Bjork, is a classic and mentions visiting the Marmottan. The Magical Garden of Claude Monet by Laurence Anholt has a foldout view of the gardens.

 

Sunflowers and blue Delft are favorites of Molly, too.Next Kathythepicturelady post is about Rouen and its cathedral that has survived over 700 years of wars and weather disasters. Be sure and sign up to receive these posts!

All photos in this post were taken by the author.

 

 

On the Trail of Monet’s Cathedrals and Haystacks: Gare Saint-Lazare, Paris

After several days in Paris, we left for Giverny and Normandy, and we’d go by train as the Impressionists did.

Train in the Countryside, Claude Monet

In the late 1800s trains were changing life for people in and out of Paris. They allowed people living outside the city to come in to work. Weekend trains with double decker cars, as seen in this painting by Monet, took the Impressionists and other Parisians out of the city to relax at restaurants, and popular swimming, boating, and fishing spots.

Trains and train stations show up in a surprising number of their paintings.

The Railway Bridge at Argenteuil, Claude Monet, author photo

They were a part of the modern life that the Impressionists were determined to show. Which is why Musee d’Orsay, a former train station, is so appropriate as a museum for Impressionist art!

 

 

 

It is Gare Saint-Lazare in the northwest part of the city, where many of the Impressionists lived, that shows up in their paintings. Its trains took people to popular recreational sites along the Seine River as it flows northwest from Paris to the Atlantic. Monet would also have taken the train from there to get to and from small towns such as Argenteuil, and eventually Giverny, where he and his family lived.

Both Monet and Gustave Caillebotte painted this station. Caillebotte painted from the large bridge that crossed over the tracks behind the station and was more interested in architectural features of the bridge itself. Caillebotte’s painting, pictured below, is titled Le Pont de L’Europe.

Monet painted the station from many angles in a number of paintings done in 1877. His interest was, as always, the effects of light on his subject, and he even convinced the station supervisor to delay the trains and produce more steam than usual so he could paint these effects. In these paintings steam and smoke billow up in tints of blue and pink and gray to the glass and iron roof of Gare Saint-Lazare. Monet’s painting is titled La Gare Saint-Lazare.

Saint-Lazare is still the main station to travel from Paris to Giverny and on to Rouen and other cities of coastal Normandy, so we arrived at the station early on a Saturday morning.

 

Steam no longer fills the train shed, but people still hurry into the station to catch their trains. Along with many others, we grabbed a croissant and a cup of coffee on our way to the platforms. A babble of voices impatient to begin their journeys surrounds us. We’re ready, too. Now that we’ve seen the paintings, we’re ready to visit Monet’s home and famous gardens. On to Giverny!

Activities

  1. Compare Le Pont De L’Europe by Caillebotte to Le Pont De L’Europe, Gare Saint-Lazare by Monet to see the difference in viewpoint and technique! (Both these are shown above)
  2. Read an enjoyable picture book called, Claude Monet: The Painter Who Stopped the Trains by P.I. Maltbie. It has an author’s note, some reproductions of Monet’s work, and a list of North American museums with his work

Molly is all packed and ready to go!

Are you ready to recieve the next Kathythepicturelady post about our visit to Monet’s beloved gardens at Giverny?

All photos in this post were taken by the author.

 

 

 

On the Trail of Monet’s Cathedrals and Haystacks: Musee Marmottan Monet, Paris

Continuing on our Monet Trail, one morning we took the metro to a more residential area in western Paris. Blue sky and warm sunshine met us as we came up the station steps. As we scuffled through leaves on the sidewalks and picked up smooth mahogany chestnuts, we enjoyed the arrival of fall.

 

The Musee Marmottan Monet is near the Bois de Boulogne, where Degas painted his horse racing scenes, and where other Impressionists sometimes painted people picnicking or strolling beside lakes.

The Picnic, Claude Monet

The Bois de Boulogne was once part of a forest where French kings and nobles hunted. By the time of the Impressionists, it had become a fashionable park that had been part of Napoleon III and Baron Haussmann’s drastic modernization of Paris in the 1850s. This included, not only parks, but broad new boulevards and modern apartment buildings that displaced thousands of poor Parisians to the city’s outskirts.

It’s the Paris we see in Impressionist paintings–Paris from the Louvre by Monet and Le Pont de L’Europe by Caillebotte

 

 

 

 

 

 

 

 

 

 

About this same time Jules Marmottan bought a former hunting lodge on the eastern side of the Bois de Boulogne, and he and his son turned it into a mansion with fine furniture and art. The son left the mansion and its art to the French Academy of Fine Arts, which opened it to the public in 1939.

Musee Marmottan Monet now houses the largest collection of Monet’s paintings in the world, many coming directly from the artist’s family, because Michel Monet, the artist’s second son, left the collection he inherited from his father to the Marmottan. Other works came from the doctor who was the personal physician of many of the Impressionists.

Although it doesn’t have the huge water lily canvases of Musee de L’Orangerie, it does have a number of large water lily paintings, as well works by other Impressionists.

And it hasImpression, Sunrise,

Impression, Sunrise, clause Monet, author photo

 the painting by Monet that gave the movement its name. In it Monet painted a sunrise over Le Havre harbor, showing how the water and the sun’s reflections on it sparkled and changed moment by moment. Sunrise was in the Impressionist’s first exhibit in 1874, and a magazine critic made fun of the paintings, especially Monet’s. The critic titled his article, “Exhibition of the Impressionists,” and the name stuck.

Seeing that painting at the Marmottan , and sitting surrounded by water lily paintings and wandering through the galleries to see other works was a delightful way to prepare us for our visit to Giverny, the inspiration for the water lily paintings that occupied Monet for the last 20 years of his life.

 

 

 

 

 

 

From my last post:   Here are the answers to the differences between the subjects preferred by some Impressionists

  • Monet and Pisarro both favored landscapes, but when Monet included people, they were middle class people enjoying a walk or time in a garden. Pissarro painted country scenes, which often showed peasants at work in gardens and fields.
  • Renoir and Degas preferred to paint people, but Renoir liked to paint happy people dancing or  dining at cafes. His women and children are dressed in their best. Degas painted a more work-a-day world of laundresses and poorer girls, who became ballerinas to earn a living.
  • Morisot and Cassatt made moving and beautiful paintings of family members, especially of mothers and children. They may have wished to branch out more, (Cassatt once did paintings of bull fighters), but middle class women led a fairly restricted life at this time. They couldn’t roam Paris or the countryside on their own, as did the men.

Activities

  1. Read about Baron Haussmann and his modernization of Paris. Look at Gustave Caillebotte’s painting, Paris, a Rainy Day and paintings of Paris by other Impressionists to see some of those wide boulevards and iconic apartment buildings
  2. Look at some of Monet’s paintings that include water, one of his favorite subjects. It’s fun to see how he painted reflections in short dashes of color.

Molly enjoyed the cooler autumn weather, too.

Next up, the train trip to Giverny, going through Gare St. Lazare, the same train station that the Impressionists often used, and that Monet painted  a number of times.

Sign up to receive the next Kathythepicturelady post and read about the Impressionists’ love of trains.

All photos in this post were taken by the author.